Cannes 2025 | dispatchCannes 2025
- Cannes 2025: It Was Juste An Accident by Jafar Panahi Wins Palme d’Or
- Cannes 2025: CST Honours Technical Brilliance on Alpha and Connemara
- Cannes 2025: Kleber Mendonça Filho’s The Secret Agent Wins FIPRESCI Prize
- Cannes 2025: Dardenne Brothers’ Young Mothers Wins Ecumenical Jury Prize
- Cannes 2025: Jafar Panahi Wins the Price of Citizenship for It Was Juste An Accident
- Cannes 2025: O Agente Secreto Wins Art House Cinema Prize from AFCAE
- Cannes Soundtrack Award 2025 Goes to Sirat’s Haunting Score
- The Little Sister Wins the 2025 Queer Palm at Cannes
- The Mysterious Gaze of the Flamingo Wins Un Certain Regard at Cannes 2025
- Jeunes Mères by the Dardenne Brothers Wins the 2025 Positive Cinema Award at Cannes
- France Expands Co-Production Network with New Deals in the Philippines, Paraguay, and Montenegro
- Imago Wins 2025 L’Œil d’or at Cannes, Honoring Powerful Voices of Memory and Exile
- Cannes 2025 | Global Surge at Marché du Film as International Deals Hit Record Levels
- Cannes 2025 | YouTube France Boss Justine Ryst: “Only Users Decide What’s Worth Watching”
- From Dust Wins Best Immersive Work at Cannes 2025
- The President's Cake Wins Audience Award at Directors' Fortnight 2025
- First Summer by Heo Gayoung Wins Top Prize at La Cinef 2025
- Cannes 2025: How Can Heritage Films Reach Wider Audiences?
- Cannes 2025: CNC Releases Groundbreaking Report on France’s Writing Residencies
- Cannes 2025: Thailand’s Ratchapoom Boonbunchachoke Wins Critics’ Week Grand Prize for A Useful Ghost
- Cannes 2025: Caroline Delpoux and Romuald Lagoude Win Jean Vivié Technical Awards
- Ciudad Sin Sueño Wins SACD Prize at Cannes Critics’ Week 2025
- Cannes 2025: Godefroy Vujicic Elected President of CineRegio
- Cannes 2025: Belgium’s TheGreenShot Expands with New Hub Near Antwerp
- Cannes 2025: Ethiopia's Beza Hailu Lemma Wins Next Step Award for The Last Tears of the Deceased
- Cannes 2025: Cofiloisirs Launches €500,000 Green Fund for Ecoprod-Certified Projects
- Pics Studio: France's New Mega-Studio Project Takes Shape in Montpellier
- South African Short Vultures Wins 2025 Unifrance Grand Prize at Cannes
- Sam Bobino: “Cinema has always been positive—but it can still do more”
- Cannes 2025: How France’s Postproduction Sector Is Holding Strong Amid Global Shifts
- Cannes 2025: France Reassesses Film Residencies to Nurture Original Writing
- Cannes 2025: Chinese Cinema Pushes for Global Reach and Industry Alignment
- Cannes 2025: French Film Education and Cultural Outreach Threatened by Local Budget Cuts
- Cannes 2025: Documentary as a Weapon of Truth and Resistance
- Cannes to Build International Museum of Cinema Celebrating the Festival's Legacy
- Cannes 2025: Poland Backs Ukrainian Film Fund as First Supported Title Premieres on the Croisette
- Cannes 2025: 18 Women's Groups Unite for Symbolic Red Carpet Call to Action
- Cannes 2025: Hong Kong Steps Up as a Global Rights and Co-Production Hub
- Cannes 2025: Hong Kong Strengthens Its Global Role in Film Rights and Co-Productions
- Pathé Doubles Down on Prestige Series with Former Netflix Exec Damien Couvreur
- France Télévisions Sounds the Alarm Over Shrinking Film Financing Pipeline
- Cannes 2025: Golden Globes Spotlight Documentary Genre with First-Ever Award
- Cannes Market Roundup: Mubi Goes Global, Latin Remakes Boom, and Genre Thrillers Find Their Groove
- Le Pacte Sets Theatrical Dates for I Love Peru and Fuori Following Cannes Selection
- Cannes 2025: Fewer First-Time French Directors, But More Box Office Success
- Nabila Abuljadayel Brings Saudi Perspective to Cannes Panel on Narrative and Equality
- Cannes 2025: Potemkine Films Picks Up Ukrainian Documentary Militantropos
- Cannes 2025: France and Luxembourg Launch New International Screenwriting Residency
- Cannes 2025: France Launches €28,000 “RSE+” Sustainability Bonus for Eco-Friendly Productions
- Cannes 2025 – Marie Kreutzer Wins ArteKino Prize as Investors Circle Showcases Ten Ambitious Projects
- Crunchyroll’s Mitchel Berger: “We want the whole world to discover anime”
- France 2030 Backs 20 Pioneering Projects in Culture, Immersion and the Metaverse
- Cannes 2025: European Filmmakers Call for a Stronger Cultural Union
- Cannes 2025: European Solidarity Fund for Ukrainian Films Reopens for Applications
- Cannes 2025: Eight Cross-Border Projects Vie for the CinEuro Prize
- Cannes 2025: HBO Max Bets on Fewer, Better Shows in France
- Cannes 2025: Rachida Dati Outlines Cultural Priorities for French Cinema
- Cannes 2025: La Femme la plus riche du monde Scores Key International Sales
- Cannes 2025: UNESCO’s Cultural Diversity Convention Faces Global Threats
- Cannes 2025: French Regions Rally to Protect National Cinema Ecosystem
- Cannes 2025: David Defendi Launches Genario Studio to Make AI a Practical Tool for Filmmakers
- Cannes 2025: Prime Video Reaffirms Its Commitment to Theatrical Cinema
- Cannes 2025: Crunchyroll Sets Its Sights on Global Anime Domination
- Cannes 2025: Thierry Klifa to Direct Jean Gabin Biopic Starring Benoît Magimel
- Adidas Empire Series in the Works from Ozark Creator
- Cannes 2025: Beta Cinema Locks Major International Deals for Three Titles
- Cannes 2025: 24 EU Culture Ministers Unite to Defend European Cinema
- Cannes 2025: Memento Picks Up A24’s Gay BDSM Rom-Com Pillion
- Cannes 2025: Sylvain Chomet Returns with a Spin-Off to The Triplets of Belleville
- Cannes 2025: African Cinema Grapples with Identity and Infrastructure
- Cannes 2025: Provence Studios Steps into the Spotlight as France’s Southern Powerhouse
- Cannes Market – Day 4: Strong Authorial Voices, Structured Euro Deals, and Digital Docs on the Rise
- Cannes 2025: Jeunes Mères Leads Ecoprod Awards Honoring Green Filmmaking
- Cannes 2025: Jeunes Mères Wins Ecoprod Award for Sustainable Filmmaking
- Cannes 2025: France Expands Mandatory Anti-Harassment Training for Film and TV Crews
- Cannes 2025: ACID Vice President Steps Down After Public Allegation of Sexual Assault
- The Spin – A Perfect Match for French Audiences
- Cannes 2025: Luxembourg Steps Up with Strategic and Multiform Presence
- Cannes 2025 – Day 3 Deals: Genre Films Drive Global Sales Surge
- Cannes 2025: How France’s Art-House Cinema Model Became a Global Benchmark
- Cannes 2025: European Producers Call for Cultural Sovereignty in the Face of Deregulation Threats
- Cannes 2025: European Indie Producers Unite Against Deregulation Threats and US Tax Intimidation
- Cannes 2025: French Film Industry Reckons with Sexual Misconduct and Calls for Deeper Reform
- Provence Studios Partners with MBS Group to Boost Global Production Capacity in France
- Cannes 2025: CNC Chief Gaëtan Bruel Commits to Mandatory Anti-Harassment Training and Gender Equity Reform
- Cannes 2025: Belgium Makes a Strong Showing Amid Cultural Uncertainty
- Cannes Market Day 2: Family Franchises Thrive While Political Cinema Makes Its Mark
- Cannes 2025: Metropolitan Picks Up Kei Ishikawa’s A Pale View of the Hills
- French Film Distribution Rethinks Its Role in a Shifting Financing Landscape
- French Cinema Under the Lens of Its Bankers
- Cannes Bans Actor from Red Carpet Amid Sexual Assault Allegations
- Delphine Ernotte Cunci (France Télévisions): “We want to pass on a love of cinema”
- Guillaume Esmiol (Marché du Film): “Innovation That Serves Creation Is the Path I Want to Push Further”
- Trump Tweets, Cannes Reacts: What If Emily in Paris Had to Move to Miami?
- Émilie Pianta-Essadi: “La Fabrique Cinéma Has Become a Mark of Quality”
- Cannes 2025: Barnaby Wass (TransPerfect) on M&A Strategy, Technicolor Assets, and Building a Global Postproduction Ecosystem
- France Launches AI and Creative Work Observatory to Track Impact on Cultural Industries
- Cannes Partners with CES Las Vegas to Launch New Tech Award for Film Innovation
- Cannes Unveils World’s Largest Dolby Atmos Auditorium with Mission: Impossible – The Final Reckoning
- France and Japan: Is a Bilateral Coproduction Treaty Finally on the Horizon?
