Cannes 2024

Cannes Market – Day 3: Global appetite for action and genre intensifies
Immersive Reality: The Growing Industry at Cannes
Taiwan: A Powerhouse in Immersive Reality
Leonardo Van Dijl Wins SACD Prize at Cannes Critics' Week
Jacques Attali on the Positive Cinema Week: "Cinema Needs More Engaged Films"
Naudet Brothers to Direct Documentary Film and Series on Paris 2024 Olympics
Tandem Takes Cannes by Storm
Bankers Assess the Health of the French Film Industry
Santosh Sivan to Receive the Pierre Angénieux Tribute at Cannes
CNC Launches Eco-Friendly and Social Production Guide
Cascade8 and Freeway Collaborate to Optimize Royalty Management
Regulating Artificial Intelligence: A Balancing Act for Creativity and Ethics
"In Waves" and "Bird's Conference" Take the Stage at Animation Day
A View on TikTok and the Hollywood Hype Machine
CNC Outlines Reforms for International Cinema Aid
Nurturing the Next Generation of Filmmakers
“The Substance,” an American Production Filmed Entirely in France
Young People, the Core Target of CNC's Distribution Policy
Signature of a Co-Production Agreement Between France and Morocco
France takes Measure for a Brand New "Distribution Plan"
The New Face of Transpa
Five Studio Projects Moving Forward
Paradiso Media launches Podcast to Screen, a platform designed to connect producers and podcasters.
A Platform to Connect Podcasters and Audiovisual Producers
Cannes Docs: American Presence and Generation Ukraine
Cannes 2024: "Ghost Trail" Debuts at Critics’ Week
Global Cinema in a “New Normal”
CNC Unveils Art House Cinema Reform
CNC Increases Art House Film Budget
7,000 Performers Demand Fair Streaming Compensation
Mohammad Rasoulof Escapes Iran for Europe
Thierry Frémaux Aims for a "Controversy-Free Festival"
Guillaume Esmiol: “The Marché du Film is Where Cinema Meets Its Future”